Runtime: 1h 05m
One of the criticisms increasingly levelled at the solo artistic director model of leadership, which still predominates in British theatre, is that it can lead to tunnel vision, in which programming may be done to some extent by a team but is strongly influenced by the person at the top of the theatre. It’s inevitable, not least because it tends to be that individual who is the face of the organisation and who is held accountable for the success or failure of a season. But what happens to a theatre’s output when four guest artistic directors from widely varying theatre backgrounds curate their own mini-programmes of work? Step up the King’s Head where Tom Ratcliffe, Tania Azevedo, and David Cumming are taking the reins for a short time each. The experiment kicks off with Isabel Adomakoh Young choosing a season of shows that include Unleash the Llama with Five Years with the White Man about the black satirist ABC Merriman-Labor, who wrote the first ethnographic account of the White Man; the drag king piece King Dynasty from the queer Pan-Asian company Bitten Peach; Alice McKee’s Perverts about threesomes and internalised shame; and much, much more.
Cow is desperately in love with a man that doesn’t love her back. But she’s sure that this Scandinavian god will love her soon enough….right? As she waits for him to return her calls, Cow does what she always has done, bury herself in mythology and stories. As she falls deeper and deeper in the tales she weaves, Cow eventually has to reckon with herself and the reality that sometimes myths spin off into directions that you never saw coming. Featuring an all-trans creative team making their off-West End debuts, Cow explores the complicated intersections of sex, fatness and womanhood alongside the stories we tell ourselves to make life a little easier. This show is part of Sight Unseen, a season curated by Isabel Adomakoh Young for The Takeover. Age Recommendation: 18+